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St Stephen’s Green


St Stephen’s Green is central Dublin’s largest and most varied park, whose statuary provides a poignant history lesson in stone, wood and bronze. The main sightseeing draws in the area date from the Georgian period: the splendid stuccowork of Newman House and the elegant streets and squares to the east of the Green. St Stephen’s Green preserves its distinctive Victorian character with a small lake, bandstand, arboretum and well-tended flower displays. It was originally open common land, a notoriously dirty and dangerous spot and the site of public hangings until the eighteenth century. In 1880, however, it was turned into a public park with funding from the brewer Lord Ardilaun (Arthur Guinness), who now boasts the grandest of the Green’s many statues, seated at his leisure on the far western side. Over at the northeast corner, a row of huge granite monoliths – nicknamed “Tonehenge” – has been erected in honour of eighteenth-century nationalist Wolfe Tone, behind which stands a moving commemoration of the Great Famine. Meanwhile, on the west side of the central flower display, a tiny plaque inlaid in a wooden park bench commemorates the so-called “fallen women” – mostly unmarried mothers or abused girls – who were forced to live and work in severe conditions in Ireland’s Magdalen laundries; the last of them, in Dublin, wasn’t closed down until 1996. From the Green’s northwest corner, by the top of Grafton Street, you can hire a horse and carriage, either as a grandiose taxi or for a tour of the sights, which will typically set you back €40–50 for thirty minutes.

Termed in the eighteenth century “Beau Walk”, St Stephen’s Green North is still the most fashionable side of the square. The Shelbourne Hotel here claims to have been “the best address in Dublin” since its establishment in 1824 (see The Inner Southside). Beyond the hotel at the start of Merrion Row, the tiny, tree-shaded Huguenot Cemetery was opened in 1693 for Protestant refugees fleeing religious persecution in France. A large plaque inside the gates gives a roll call of Huguenot Dubliners, among whom the most famous have been writers Dion Boucicault and Sheridan Le Fanu.

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