The island’s real character and appeal are rooted in the spectacular HÓRA, perched on a cliff-edge plateau, a steep 3km from the port. Locals and foreigners mingle at the cafés and tavernas under the trees of the five adjacent squares, passing the time undisturbed by traffic, which is banned from the village centre. Towards the northern cliff-edge and entered through two arcades, the defensive core of the medieval kástro neighbourhood is marked by ranks of two-storey residential houses, with almost identical stairways and slightly recessed doors.

From the cliff-edge Poúnda square, where the bus stops, a path zigzags up – with views along the northern coastline – to the wedding-cake church of Kímisis tis Theotókou, whose unusual design includes two little fake chapels mounted astride the roof. The church, formerly part of a nunnery, is on the gentlest slope of a pyramidal hill with 360m cliffs dropping to the sea on the northwest side and is a favourite spot for watching some of the Aegean’s most spectacular sunsets. Beyond and below it hides the Khryssospiliá, a large cave with stalactites and ancient inscriptions, centre of a strange ancient youth cult, but closed to the public for archeological excavations. However, a minor, lower grotto can still be visited by excursion boat from the port. Towards the top of the hill are a few fragments of the ancient Paleókastro.

Hóra is inevitably beginning to sprawl at the edges, and the burgeoning nightlife – a few dance bars along with a number of music pubs and ouzerís – is to the south, away from most accommodation.

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