Greece // The central mainland //

Mesolóngi and around


Mesolóngi (Missolongi), for most visitors, is irrevocably associated with Lord Byron, who died here to dramatic effect during the War of Independence. Otherwise it’s a fairly shabby and unromantic place: rainy from autumn to spring, and comprised largely of drab, modern buildings between which locals enthusiastically cycle along a flat grid plan. To be fair, the town has been spruced up, especially in the centre, but if you come here on pilgrimage, it’s still best to move on the same day, most likely to Lefkádha island or the Peloponnese.

Gate of the Sortie

You enter the town from the northeast through the Gate of the Sortie, named after the April 12, 1826 break-out by nine thousand Greeks, ending the Ottomans’ year-long siege. In one desperate dash they quit Mesolóngi, leaving a group of defenders to destroy it – and some three thousand civilians not capable of leaving – by firing the powder magazines. But those fleeing were betrayed, ambushed on nearby Mount Zygós; fewer than two thousand evaded massacre or capture and enslavement by an Albanian mercenary force.

Garden of Heroes

Just inside this gate, on the right, partly bounded by the remaining fortifications, is the Kípos Iróön, or “Garden of Heroes” – signposted in English as “Heroes’ Tombs” – where a tumulus covers the bodies of the town’s anonymous defenders. Beside the tomb of Souliot commander Markos Botsaris is a statue of Byron, erected in 1881, under which – despite apocryphal traditions – is buried neither the poet’s heart nor lungs. Byron might conceivably have been offered the throne of an independent Greece: thus the relief of his coat of arms with a royal crown above. Among the palm trees and rusty cannon loom busts, obelisks and cenotaphs to an astonishing range of American, German and French Philhellenes, those Romantics who strove to free the Classical Greece of their ideals from the barbaric thrall of the Ottomans.

Museum of History and Art

Back on the central square, the Neoclassical town hall houses the small Museum of History and Art devoted to the revolution, with some emotive paintings on the upper floor (including a copy of Delacroix’s Gate of the Sortie), reproductions of period lithographs and a rather disparate (and desperate) collection of Byronia on the ground floor. Pride of place, by the entrance, goes to an original edition of Solomos’s poem Hymn to Liberty, now the words of the national anthem.

The lagoon

More interesting than any town sight is a walk across the Klísova lagoon, past two forts that were vital defences against the Ottoman navy. The lagoon, with its salt-evaporation ponds and fish farms, attracts a variety of wading birds, especially in spring.


A causeway extends 4km from Mesolóngi to the open sea at TOURLÍDHA, a hamlet of wood-plank and prefab summer cottages on stilts, plus a few tavernas. If you can stomach the intermittent stench from the nearby salt-ponds, there’s a packed-sand beach to swim from, with showers and a few café-bars. Makes a picturesque, funky outing if you’re visiting Mesolóngi.

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