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Since its discovery in 1901, dozens of polychrome paintings have been found in the Grotte de Font-de-Gaume. The cave was first settled by Stone Age people during the last Ice Age – about 25,000 BC – when the Dordogne was the domain of roaming bison, reindeer and mammoths. The entrance is no more than a fissure concealed by rocks and trees above a small lush valley, leading to a narrow twisting passage. The first painting you see is a frieze of bison, reddish-brown in colour, massive, full of movement and very far from the primitive representations you might expect. Further on comes the most miraculous image of all, a frieze of five bison discovered in 1966 during cleaning operations. The colour, remarkably sharp and vivid, is preserved by a protective layer of calcite. Shading under the belly and down the thighs is used to give three-dimensionality with a sophistication that seems utterly modern. Another panel consists of superimposed drawings, a fairly common phenomenon in cave painting, sometimes the result of work by successive generations, but here an obviously deliberate technique. A reindeer in the foreground shares legs with a large bison behind to indicate perspective.

Stocks of artists’ materials have also been found: kilos of prepared pigments; palettes – stones stained with ground-up earth pigments; and wooden painting sticks. Painting was clearly a specialized, perhaps professional, business, reproduced in dozens of caves located in the central Pyrenees and northern Spain.

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