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Wat Pho (Wat Phra Chetuphon)

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Where Wat Phra Kaeo may seem too perfect and shrink-wrapped for some, Wat Pho is lively and shambolic, a complex arrangement of lavish structures which jostle with classrooms, basketball courts and a turtle pond. Busloads of tourists shuffle in and out of the north entrance, stopping only to gawp at the colossal Reclining Buddha, but you can avoid the worst of the crowds by using the main entrance on Soi Chetuphon to explore the huge compound.

Wat Pho is the oldest temple in Bangkok and older than the city itself, having been founded in the seventeenth century under the name Wat Photaram. Foreigners have stuck to the contraction of this old name, even though Rama I, after enlarging the temple, changed the name in 1801 to Wat Phra Chetuphon, which is how it is generally known to Thais. The temple had another major overhaul in 1832, when Rama III built the chapel of the Reclining Buddha, and turned the temple into a public centre of learning by decorating the walls and pillars with inscriptions and diagrams on subjects such as history, literature, animal husbandry and astrology. Dubbed Thailand’s first university, the wat is still an important centre for traditional medicine, notably Thai massage, which is used against all kinds of illnesses, from backaches to viruses.

The eastern courtyard

The main entrance on Soi Chetuphon is one of a series of sixteen monumental gates around the main compound, each guarded by stone giants, many of them comic Westerners in wide-brimmed hats – ships that exported rice to China would bring these statues back as ballast.

The entrance brings you into the eastern half of the main complex, where a courtyard of structures radiates from the bot in a disorientating symmetry. To get to the bot, the principal congregation and ordination hall, turn right and cut through the two surrounding cloisters, which are lined with hundreds of Buddha images. The elegant bot has beautiful teak doors decorated with mother-of-pearl, showing stories from the Ramayana in minute detail. Look out also for the stone bas-reliefs around the base of the bot, which narrate the story of the capture and rescue of Sita from the Ramayana in 152 action-packed panels. The plush interior has a well-proportioned altar on which ten statues of disciples frame a graceful, Ayutthayan Buddha image containing the remains of Rama I, the founder of Bangkok (Rama IV placed them there so that the public could worship him at the same time as the Buddha).

Back outside the entrance to the double cloister, keep your eyes open for a miniature mountain covered in statues of naked men in tall hats who appear to be gesturing rudely: they are rishis (hermits), demonstrating various positions of healing massage. Skirting the southwestern corner of the cloisters, you’ll come to two pavilions between the eastern and western courtyards, which display plaques inscribed with the precepts of traditional medicine, as well as anatomical pictures showing the different pressure points and the illnesses that can be cured by massaging them.

The western courtyard

Among the 99 chedis strewn about the grounds, the four great chedis in the western courtyard stand out as much for their covering of garish tiles as for their size. The central chedi is the oldest, erected by Rama I to hold the remains of the most sacred Buddha image of Ayutthaya, the Phra Si Sanphet. Later, Rama III built the chedi to the north for the ashes of Rama II and the chedi to the south to hold his own remains; Rama IV built the fourth, with bright blue tiles, though its purpose is uncertain.

In the northwest corner of the courtyard stands the chapel of the Reclining Buddha, a 45m-long gilded statue of plaster-covered brick which depicts the Buddha entering Nirvana, a common motif in Buddhist iconography. The chapel is only slightly bigger than the statue – you can’t get far enough away to take in anything but a surreal close-up view of the beaming 5m smile. As for the feet, the vast black soles are beautifully inlaid with delicate mother-of-pearl showing the 108 lakshanas, or auspicious signs, which distinguish the true Buddha. Along one side of the statue are 108 bowls: putting a coin in each will bring you good luck and a long life.

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