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The Taj Mahal

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Described by Bengali poet Rabindranath Tagore as “a teardrop on the face of eternity”, the Taj Mahal is undoubtedly the zenith of Mughal architecture. Volumes have been written on its perfection, and its image adorns countless glossy brochures and guidebooks; nonetheless, the reality never fails to overwhelm all who see it, and few words can do it justice.

The magic of the monument is strangely undiminished by the crowds of tourists who visit, as small and insignificant as ants in the face of the immense mausoleum. That said, the Taj is at its most alluring in the relative quiet of early morning, shrouded in mist and bathed with a soft red glow. As its vast marble surfaces fall into shadow or reflect the sun, its colour changes from soft grey and yellow to pearly cream and dazzling white. This play of light is an important decorative device, symbolically implying the presence of Allah, who is never represented in physical form. To really appreciate it fully however, you’d have to stick around from dawn until dusk.

Overlooking the Yamuna River, the Taj Mahal stands at the northern end of a vast walled garden. Though its layout follows a distinctly Islamic theme, representing Paradise, it is above all a monument to romantic love. Shah Jahan built the Taj to enshrine the body of his favourite wife, Arjumand Bann Begum, better known by her official palace title, Mumtaz Mahal (“Chosen One of the Palace”), who died shortly after giving birth to her fourteenth child in 1631 – the number of children she bore the emperor is itself a tribute to her hold on him, given the number of other wives and concubines that the emperor would have been able to call on. The emperor was devastated by her death, and set out to create an unsurpassed monument to her memory – its name, “Taj Mahal”, is simply a shortened, informal version of Mumtaz Mahal’s palace title. Construction by a workforce of some twenty thousand men from all over Asia commenced in 1632 and took more than twenty years, not being completed until 1653. Marble was brought from Makrana, near Ajmer in Rajasthan, and semi-precious stones for decoration – onyx, amethyst, lapis lazuli, turquoise, jade, crystal, coral and mother-of-pearl – were carried to Agra from Persia, Russia, Afghanistan, Tibet, China and the Indian Ocean. Eventually, Shah Jahan’s pious and intolerant son Aurangzeb seized power, and the former emperor was interned in Agra Fort, where as legend would have it he lived out his final years gazing wistfully at the Taj Mahal. When he died in January 1666, his body was carried across the river to lie alongside his beloved wife in his peerless tomb.

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